Category: Book Review

review: the luxorian fugitive by j. alan veerkamp

12/6/2018

A big welcome to our new reviewer, L. A. Ashton! You can read more about them by clicking 'The Review Team' using the list of links to the right.

Genre: Sci-Fi

Pairings: M/M

Queer Rep: so many gay men

Warnings: BDSM, violence, torture, allusions to non-consensual sex. Note: all on-page sex is entirely consensual. There’s a lot of it.

[Note: I received an ARC of this book in exchange for an honest review.]

Synopsis

Sergeant Liam Jacks has been traveling aboard the transport vessel “The Santa Claus” in an effort to escape his past and etch out a peaceful existence in a tangled universe. During a pit stop on Luxoria, a mysterious—and frighteningly beautiful—man boards as a passenger. Liam is immediately taken by the man, and he is desperate to unravel the mystery surrounding him. Unfortunately, that mystery is steeped in danger, and threatens to undo the peace Liam has worked to create.

General

I have trouble rating this book. I feel that this piece falls in the category of “maybe really good, but not for me.” If I were to rate it according to my tastes, I think it’d fall somewhere around a 2. But in the same moment, a part of me feels that does the book a bit of a disservice.

The genre is quite up my alley, which can be broadly defined as “gays in space”. Any book that can use that tagline already has my attention. It was the smaller details that derailed my experience just a bit.

Plot

The Luxorian fugitive takes hold of your attention right away. I was immediately interested in Liam Jacks’ character and story, even more so when his knee jerk response to his PTSD induced night terrors was to call on his best-friend-turned-captain to whip him to orgasm.

I want to be less blunt, but that’s the thing with the Luxorian Fugitive: it is unabashedly gay, unabashedly horny, and it wants you to be too.

However, this run-in with his BFF/Captain is not just a desperate grab at sex appeal. It blooms into a mostly interesting subplot that helps propel the narrative forward through some of the slower portions of the crew’s journey.

When Liam meets his “mysterious stranger”, I immediately got a sense for what was coming. There is a definite “we are somehow linked or destined to be with one another” tone sewn throughout, and I have to admit I quite dislike those tropes. “Soulmates” in fiction tend to feel abrasive to me, but it is obviously a very popular genre subset. I wanted more interaction between the two men, and more than just Liam’s overexcited cock leading him toward Hadrian.

Now now, don’t get me wrong—I adore “one night stand becomes something more” tropes, and I love when fiction addresses the reality of human nature (read: we’re often sex-driven). But that’s not what this was. Liam and Hadrian didn’t bang it out right away, or even take much advantage of their forced proximity. It was just a strange sort of... pining broodiness, with Liam feeling overwhelming fond for this enigmatic man. This isn’t my jam, but I know it is someone’s.

The pacing dragged a bit during this portion, with Captain Danverse and his issues forcing the book forward. I didn’t care about Captain Danverse, and I cared less about him the more time I spent with the man. I wanted more character interactions and intrigue, and less overwrought inner monologuing.

There was also an... animalistic feeling to much of the book, from the character’s actions to the chosen vocabulary. Lots of “claiming”, tons of asserting dominance and alpha male mindsets, and a very particular penchant for large hairy men. This is also not my thing.
The book delivered plenty of on-page orgasms, but not a ton of growth or movement. The pacing started to rev up again about halfway through, but by that point I was already having issues convincing myself to keep reading. Fortunately, once the shit hits the fan, it does it in a way that keeps you interested. In general I still wished for more—more character work, more world-building, more meat (of the narrative variety).

I was also a little disoriented by the severe lack of anything that wasn’t a burly gay man. This book is definitely a book for bears, and I have no problem with that. But the ship’s house rules of “no women, no heteros”, and the fact that only TWO women make an appearance in the whole novel (with about two lines of dialogue each) had me feeling a bit suffocated by the end. I desperately grabbed a F/F and enthusiastically devoured it upon completion of this piece.

Characters

Honestly, I believe this book could have reached me a little better had it not been for Captain Danverse. Liam’s best friend and captain is a bit of a shithead, and he never did properly atone for that shittiness in my eyes. At one point during the novel I slammed my finger against my iPad and shouted “THAT’S WHAT YOU GET, JERKWAD.”

At least I was properly engaged.

The rest of the characters were more relatable, but I found myself only truly interested in Mac. Hadrian remained too otherworldly and enigmatic, and while I liked Liam, I couldn’t see through his rose-colored goo-goo eyes to feel really at home in his brainscape.

The book is very gay and utilizes a lot of tropes readers love. They weren’t ones that meshed with my tastes, but perhaps they could mesh with yours. Veerkamp just released another novel set in the same universe (and on the same ship), so be sure to check it out if The Luxorian Fugitive does it for you.

My Rating: 2 stars

Alan Veerkamp’s official site can be found here, and his twitter is over yonder.

Note: I am an Amazon Associate and I am using affiliate links. These do not affect you or my reviews.

From Ninestar Press:
The Luxorian Fugitive (ebook) — $6.49
From Amazon.com:
The Luxorian Fugitive (print) — $13.99 | The Luxorian Fugitive (ebook) — $6.49

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REVIEW: RED FILES by lee winter

13/5/2018

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RATING: Four Stars

Ambitious Daily Sentinel journalist Lauren King is chafing on LA’s vapid social circuit, reporting on glamorous A-list parties while sparring with her rival—the formidable, icy Catherine Ayers. Ayers is an ex-Washington political correspondent who suffered a humiliating fall from grace, and her acerbic, vicious tongue keeps everyone at bay. Everyone, that is, except knockabout Iowa girl King, who is undaunted, unimpressed and gives as good as she gets.

One night a curious story unfolds before their eyes: One business launch, 34 prostitutes and a pallet of missing pink champagne. Can the warring pair work together to unravel an incredible story? This is a lesbian fiction with more than a few mysterious twists.

You can buy an e-copy here.

REVIEWED BY REBECCA

Lee Winter is an Australian writer and one of my goals has been to read, review, and promote more Australian women, as they often find it more difficult to get their work out there into the world than other writers. I'm glad I picked this book up -- for the most part, I quite enjoyed it.

I struggled with the opening chapters of the book and, at first, wondered if I was going to be able to finish it. Lauren didn't endear herself to me as a character, and I found the early anecdotes of her time at A-list LA parties unexciting because I personally don't take to those sorts of characters or situations. The early mystery involving a large group of prostitutes at a corporate event also seemed like a bland mystery to be investigating.

However, as I said, I ended up fairly engrossed as the story progressed. The 'Ice Queen' trope was well executed in the form of Catherine Ayers, the acerbic senior journalist mentoring Lauren with an awful lot of tough love. Ayers is intelligent, forthright, and apparently rather sexy. She challenges Lauren in a number of ways that are pivotal to the character development as well as the progression of the plot. The romantic subplot suited me just fine. There was enough between Lauren and Catherine to keep me cheering for them along the way, but as someone who isn't a huge fan of straight out romance novels (and I generally don't need/want explicit scenes in the books I read), it was just the right amount of flirting and connection.

There are hints of the "men are bad rapists" cliche that I've established previously as something I quite dislike in lesbian books (not because these things don't happen in the real world, but because it felt, for a while there, that every lesfic I read relied on women being sexually assaulted to propel the drama). I could handle the cliche more in this book than in others I've read though, because the threat didn't become a reality for the character involved and I could see that the author was establishing the courage and concern of the person who comes to her aid and stands up to the sleazy guys.

The story has been cleanly edited, I only spotted one typo/mistake, which is phenomenal in a novel-length work. Those pesky errors are very good at hiding, so the author and her editors did an amazing job producing such a crisp manuscript.

The strongest element of this book was definitely the writing. Winter's skill with language kept pulling me onward in those opening chapters I wasn't enjoying, and kept me interested until the final page, long after the plot and characters had convinced me it was an excellent novel. The various elements of the investigation into corruption and politics were effectively planned and executed, gradually unfolding as one would expect from a high quality mystery. A fine book, indeed.

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REVIEW: Addict by matt doyle

6/5/2018

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Author: Matt Doyle
Release Date: May 8, 2017
ISBN: 978-1-947139-03-9
Cover Artist: Natasha Snow
Genre: Sci-Fi/Fantasy
Word Count: 56000
Sex Content: N/A
Orientation: Lesbian
Identity: Cisgender

RATING: 4.5 stars

When I was studying English Extension as a Year 12 student, we spent the year focused on a genre study of crime fiction. One of our set texts was Marele Day's The Life and Crimes of Harry Lavender, a gritty urban crime fiction written in a very traditional style, but with a unique (for the time) female protagonist. The reason I bring this up, is that I couldn't help thinking about that book quite a lot whilst I was reading ADDICT. You need to ignore the GoodReads ratings of Day's book, because it's been skewed heavily by resentful teenagers who were tired of the book after studying it. It's dated now (over 30 years later), but Harry Lavender infused pre-WWII crime fiction conventions with fresh, contemporary elements of gender, as well as a real sense of place, with the city of Sydney treated as a character in its own right.

Matt Doyle's ADDICT, though a rather different beast from Harry Lavender, is intelligent and fresh in much the same way Day's book was in the late 80s. A crime is committed and, of course, as time goes on, our detective is led through a series of twists and turns to finally lead her to a thrilling conclusion, where all the puzzle pieces fall into place - a satisfying conclusion is provided, as you'd expect from a detective story.

Set in the near future, Addict combines the engrossing, tenebrous elements of 1930s noir crime fiction with the spectacle and possibility of science fiction. Cassie Tam is, in many ways, a traditional sleuth protagonist, right down to the glock, the dingy apartment, and the social isolation. But Cassie also has a metallic gargoyle as her security guard, and has to delve into the nefarious world of technology addiction as a means to solve the case at the heart of the story. Her client also happens to be a Tech Shifter, someone who uses specially designed machinery to transform into an animal as a form of escapism. Cool, right?

The characters are engaging and memorable, slowly building relationships and inviting us into their psyches. Given this is the first story of a series, the characterisation has been handled well. There's a sweet romance developing by the end of the book, but it hasn't been explored so much as to make subsequent books almost pointless, Doyle has left space to move with the romance -- a wise move, I think!

Setting and atmosphere are amongst the strongest elements of ADDICT. By the end of the novel, I felt connected to the city of New Hopeland. I understood its history, its evolution, and its almost fetishist underbelly, where even crime is driven by zealotry. I'd have no reservations recommending this book!

You can buy an ecopy here, and a paperback here.

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review: the luxorian fugitive by j. alan veerkamp

REVIEW: RED FILES by lee winter

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