Genre: Horror/Post-Apocalyptic

Pairings: N/A

Queer Rep: Bisexuality

Warnings: Graphic depictions of violence,  discussion of self-harm, suicidal ideation, emetophobia, domestic violence, pregnancy, childbirth, and gore.
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REVIEWED BY L.A. ASHTON

M. Rose Flores’ official Facebook is here, and her twitter is over this way.

Note: I am an Amazon Associate and I am using affiliate links. These do not affect you or my reviews.

From Ninestar Press:
The End (ebook) — $6.49
From Amazon.com:
The End (print) — $15.99    |    The End (ebook) — $6.49



[Note: I received an ARC of this book in exchange for an honest review.]

Synopsis

Being a teenager is rough. Being a queer teenager? Moreso. And being a queer teenager during the zombie apocalypse, well... at least it can’t get any worse.

Cate’s life takes a cataclysmic turn on her seventeenth birthday. Now living in a world where the dead live and the living have lost their humanity, Cate and her sister struggle to survive. As if suddenly having to acclimate to zombies being a real thing isn’t bad enough, Cate soon discovers that not all zombies are as simple as they seem, and she just so happens to be immune to their virus.
General
“The End” is a book with a strong voice and a focused plot. If you’re itching for a zombie thriller, the biggest strength of this novel is that it’s everything you expect it to be. Unfortunately, its biggest weakness is that it’s everything you expect it to be.

Plot

My first few moments with The End had me jumping back to the book’s listing to check for a Young Adult tag. The End is not shelved as a young adult novel, and I honestly believe that was an error on the press’s part. The age of the characters notwithstanding, the narrative is highly colloquial and felt geared toward a younger reader. Or, at the very least, for someone looking to read YA.

The book is told on two timelines: “THEN” and “NOW”. This works well for the piece, and helps give the reader momentum. It was a saving grace at times, as the catch 22 for this novel becomes apparent very early: this book will give you the zombie story you think you want, but it will almost never surprise you.

We’ve seen zombie stories plenty: The Walking Dead, Dawn of the Dead, Shaun of the Dead, Day of the Living Dead... you get the picture. We know the rhythm and tropes by now. This novel follows them almost to a T, which made some of it fall just this side of boring. I could guess how things would play out, what would be introduced next, etc. Unfortunately, the hook the author promises in the synopsis—zombies who aren’t “just zombies”, and an immune MC—makes almost no impact on the narrative. Yeah, fighting the abnormal zombies is a bit rough, but they don’t do anything truly jarring or horrifying, and you never find out the how or the why behind them. For the most part, there’s not even speculation. Cate and her comrades handle them the way they handle all the rest, and they move on. I wanted something creepier, or something with more narrative weight, and all I got were some zombies that could run.
On the other foot, I’m a picky jerk about a lot of things, but I’m even more of a picky jerk when it comes to written action. M. Rose Flores is good at action, describing things clearly and succinctly with just enough gross “oomf” when necessary. In general all her descriptions and prose were wonderful. She had a tendency to over-explain things to the reader—obvious things that we could glean from context or would inherently understand—but the cadence and feel of her words was good. If she plays it less safe with her next project, she could hit one out of the park. She just needs to do the weird thing, give us the plot twist we weren’t expecting, and give the middle finger to some of the standard genre tropes.

Setting

The descriptions were good, so the setting was fine. We’re given the rundown towns and cities you’d expect from a zombie apocalypse. I actually wish the characters would have spent more narrative time in one place so we could have explored these places more; it was difficult to get attached to places and people when Cate and Melody moved at such a break-neck pace.

Characters

Cate is a cool kid. You get a sense of her character right away from the narrative style, and it sticks with you. She is just a kid though, and I sometimes had to remind myself of this when she did something stupid. Would teenage me have been smart enough to know better? Maybe, but maybe not. She also deals with real problems that make real sense given her current (awful) circumstances, and I liked seeing a proper portrayal of the mental strains a person would face.
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I really liked Marco. I eventually grew attached to Calvin as well, but some of the more superfluous characters (especially toward the end) didn’t really stick with me, which made the climax less impactful.
 
I think if you’re looking for a YA zombie narrative, The End is for you. If you want something that’s gonna knock your pants off with new ideas, it’s not for you. If you just want to chill alongside some dudes while they cleave into zombie heads, dig in! Despite my very par feelings about this particular novel, I look forward to what else Flores will bring to the world.

REVIEWED BY J.S.

Genre: modern fantasy (superhero) (YA)

Pairings: f/f (implied for future books)

Queer Representation: trans lesbian, cis lesbian(?)

Warnings: gender dysphoria, verbal abuse, TERF antics that may be triggering for some readers

Rating: five stars

Review

Danny, a trans girl, is hiding behind a dumpster, painting her toenails and enjoying some alone time, when the superhero Dreadnought dies right in front of her. She inherits his powers, among which include the ability to take her ideal form. But while Danny is delighted with the sudden and mostly-absolute gender change, those around Danny, especially her parents, are not. Also super villains and stuff. Bam pow. You know how it goes.

Let’s just hit the (trans) nail on the head

This was a great book. It was written by a trans woman, and the realness of the emotions really shine through. As a trans reader, I deeply connected with Danny on multiple occasions, and appreciated the author’s diverse probing of trans issues–particularly the subtleties of dysphoria (for instance, Danny doesn’t take issue with her junk). I love how the superhero ‘thing’ was continually pushed aside by Danny because she just wanted to revel in looking like a girl, finally, and that even though Danny has the heart of a superhero, that’s not what this book is about.

Not all of the transition accounts will resonate with all readers, of course (and the trans experience is as unique as the human experience). Danny’s discussion of what it’s like to have tons of estrogen coursing through her system instead of testosterone would have struck me fairly sexist even a few years ago, although I’ve had enough trans friends on hormones describe much the same thing that in this instance, it resonated.

Plot

This book shares a lot in common with C.B. Lee’s NOT YOUR SIDEKICK, in terms of slice of high school life and also superpowers. Both deal with prominent issues, although NOT YOUR SIDEKICK definitely spends a greater proportion of its plot on superhero dynamics, while DREADNOUGHT merely warms up to them, spending more time on Danny’s journey. DREADNOUGHT also doesn’t pull any punches, and readers are walked through transphobic parents, entitled male BFFs, and a particularly problematic TERF superhero (who came across more as a caricature than anything else, and the narrative would have been stronger, in my opinion, if her attacks were more subtle).

In many ways this book read more like a prequel, or an extended prologue, to a greater story. That’s not to say it didn’t stand on it’s own, or wasn’t enjoyable. Indeed, the pacing was excellent, the emotions hard hitting, and there was a depth to the story I was not expecting. That Danny is not only trans but also a lesbian was an unexpected bonus, and I do look forward to where the romance line might lead in future books.

Some side thoughts
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While I have read some critique of the overt transphobic reactions in this book, and while yes, they could be potentially triggering (there was at least one instance where I had to put the book down and take a walk), I think it bears mentioning that cis readers are often not awake enough to the subtleties of implicit bias. If Danny’s experience was diluted down to extended stares from classmates, indifferent and chilly parents, and a superhero legion who tolerated her presence but never really welcomed her, I don’t think this book would reach nearly the same audience. The overt transphobicness of Danny’s interactions may be somewhat dated, or seem over the top, but they certainly are not over, by any means, for queer teens, and there are plenty of us older trans people who remember those types of days all too well.
 
After a slew of disappointing books, it was great to be able to immerse myself in a world where a trans girl gets to really get her wish. And if that wish is to look like a (female) supermodel, and she gets superpowers to boot, then, well, maybe we can start tipping the scales away from all those cis het white dude superheroes with the washboard abs. It’s about time trans girls got to look hot in spandex, too.
 
You can buy DREADNOUGHT in paperback here, ebook here, and audiobook here. For more teenaged superheroes that aren’t cis het white guys, consider also C.B. Lee’s NOT YOUR SIDEKICK.

​* According to your author bio, you identify as trans and utilise gender neutral pronouns (their/them). How has your own life experience and identity influenced your writing?

I've been an avid reader my whole life, but characters with whom I could connect fully have always been few and far between. One of the reasons I started writing is to create stories that have queer and trans characters at the center, but aren't focused on gender or sexuality. I want action adventure stories with characters that truly resonate, and creating those stories has given me so much joy. I've made so many connections with youth and adults who feel the same way I do, that queer and trans stories deserve more than they're often given- as side characters or tokens, or solely defined by their gender/sexuality. Going through many different iterations of understanding my own sexuality and gender identity has allowed me to flesh out different experiences more fully, and the people I've met along my own journey have also heavily influenced my own writing. We all deserve to see ourselves as heroes, and more importantly, to be seen as heroes by others.  

* If you could re-make any Disney movie to include more gender and sexual diversity, which one would it be? 


MULAN, I'm still bitter that she's not officially genderqueer with her delightful pan boyfriend. It's so clear to me that this story deserved more depth and care for queer identities, and it would have been so important to young trans, gq and fluid people to see such an iconic character openly identify as not cis. 

* You have a series coming out soon, the Psionics. Who is your favourite character in this series? Why?
My favorite character in any series I've written is in this series! His name is Leaf and he's a pansexual transguy who makes his living as a trickster conman. He avoids fights at all costs, which makes me laugh, because I'm a martial artist and usually warrior characters are my favorites, but Leaf trumps all my tough guys by miles. He's sweet, witty, super quick and with a cutting sense of humor. He's just the best! Right now I'm actually working on a companion short story where he's the protagonist, and I'm having so much fun! His mission is to break an unknown spy out of jail, but first he has to get in... by getting arrested. While he's a major character in books 1, 3 and 4 of the Psionics, he's not a POV character, so getting to explore him more deeply is really satisfying. It's definitely going to inform my edits!  He's loosely based on a dude I met while backpacking in Australia, but I like my fictional version much better. 

* Tell us about Warp Weavers. What inspired a story about teens with super powers?
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I love superpowers, I always have done. I've always been fascinated by the with-great-power paradigm. Warp Weavers deals a lot with what it means to be chosen as a hero, what if you don't want that burden? My protagonist for the first story in that series just wants to get her missing parents back and move on with her life, but that's not the way magic works in this universe. Once you're chosen, there's no backing out. To be honest, I think the main inspiration behind this series was the closing of Buffy the Vampire Slayer. The idea of thousands of superpowered teens working together, making friends and fighting evil side by side, has always appealed to me. I'm a sucker for a found family. In the Warp Weavers universe, the magic comes in three strains- there are warriors, (you can probably guess what they can do), warlocks, who work magic to support their team, and finally, weavers. Weavers have the power to sense rifts between dimensions, as well as open and close those magical doorways. They're a key part in the fight against the encroaching demonic armies, as without them the doors would stay open forever, and we'd all be overrun and enslaved. 

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* How do you choose your character names when writing fiction?

Ha, I'm not sure I should answer this question. Most of my characters are named after students! I'm a teacher, and that provides a lot of name inspiration. I try really hard to not base characters on my students though, just pinch their names. Working in Vancouver is especially good for this because we have such a vibrantly diverse community I'll never end up with five main characters with similar names. 

* If you could have dinner with two of your own characters in real life, who would you choose and why?

Leaf, my amazing conman as mentioned above, and Dent. Dent is actually Leaf's adopted father, but when he's not rescuing dozens of kids from poverty, he's actually the King of the Slums. He's a smuggler, land pirate and all around swashbuckler who loves playing tricks, having fun, and making sure everyone is well fed. I think having dinner with these two would be a barrel of laughs, although I'd probably leave without my wallet, cell phone and jewelry. I wouldn't put it past them to be able to get my lip rings out without me even noticing. I consider that to be a small price to pay, though, as I'm sure that the hilarity would be well worth it.
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* Coffee or tea?

Why do people try to enforce false binaries?! :D I drink both. Usually tea on weekdays, both before and after work while coffee is more of a nice weekend treat. I have ADD and caffeine hits me pretty hard, so it's nice to have time to work off the extra buzz before having to function in public on the weekend. 

* Can you tell us about the BRAVE NEW GIRLS anthology? I understand you have a story featured in Volume 3.

It's an awesome project that is a collection of YA short stories all starring girls (trans inclusive!) who use science, tech, engineering or math skills to save the day. http://bravenewgirls.weebly.com/ you can find out more here if you like! My new story is about a trans lesbian mechanic who lives on Io (one of Jupiter's moons) and accidentally ends up embroiled with some outlaws because of a cute girl.