RATING: Five stars

Reviewed by L.A. Ashton


Genre: Sci-Fi / Space Opera

Pairings: F/F (setup for future novels)

Queer Rep: NBs! Queers!

Warnings: Graphic depictions of violence.

Synopsis

Neek is the pilot of a run-down transport ship, where she and her eclectic crew work to make ends meet. Exiled from her home world for not transcribing to the belief of the traveling planet Ardulum and its godly inhabitants, she seeks a way to earn favor to see her family again.

It seems like a normal day when the crew stumbles across a battle between a strange alien race and the sheriffs of the Charted Systems. Growing stranger by the moment, Neek and her crew are rewarded for their (accidental) aid with the gift of a slave girl. A slave girl who bears a striking resemblance to the Ardulan gods of lore, and whose ability to manipulate cellulose could make her a force of righteousness, or a paragon of destruction.

General

This is another “holy shit” book. And by “holy shit” book, I mean “holy God guys, read this immediately.”

Plot

Ardulum is beautifully paced, charming as hell, and delivers mounting excitement throughout.

The first scene is strange, delivering the narrative in a way that’s a bit unconventional, but easy to follow. I balked when I first began, but as I read on I became deeply entrenched in the moment. The reader’s next scene is with Neek, and she immediately makes you feel at home. The Firefly vibes are strong with this one, and the quippy charm and attitude was a sight for sore eyes.

Things unfold naturally; action and space battles flash through your mind’s eye, and personal struggles keep you grounded alongside the crew. I was always clamoring for more— more details, more info, more. This could be why I finished the book in less than two days.

Setting

The universe surrounding Neek is highly alien. Despite that, the world and intricacies are always palatable. My eyes never glazed over from info dumps or confusion. Instead, their lives and worlds bloomed to full color on the page in front of me. They felt like places that worked and moved even when I wasn’t watching them, realistic both in their structure and presentation.

Characters

Gosh darn it, I fell in love with the whole crew. I loved them and their interpersonal dynamics, which made every conversation a joy to read.

J. S. Fields does something wonderful in their writing, and it is something that calls to me specifically: Everything is gray. You think this character is chaotic evil? You think they’re the indisputable “bad guys”? Guess again.

The readers are given multiple povs that span the universe and its races, and every single glimpse left me more conflicted than the last. The characters I wanted to hate weren’t inherently awful! The guys you build up in your mind as good and untouchable might have dark ulterior motives! There is nothing more wonderful than this. It is human, and in this case it is also alien. Right and wrong shift depending on where you stand, and societal constructs color one’s upbringing. There is definitely commentary here— not heavy handed or brash, but nuanced. The reader has to reexamine their initial views and adjust as the book plows forward, and something as simple as this made the narrative all the more exhilarating. You are on a journey with the characters, sometimes with a touch of dramatic irony, and sometimes just as ignorant.
 
Ardulum was so good that I actually had to ban myself from downloading the second one, because I knew I’d read it the moment it hit my Kindle. I have things to do. It will be my reward. J. S. writes beautifully and stoically, if that makes sense to anyone but me. They deliver scientific information without forcing a laymen like me to scratch my head. The only parts I struggled with were during some battles, in which the manipulation of cellulose was being illustrated. It’s probably from a lack of understanding of the compound, but I didn’t feel I could envision it properly. Luckily this doesn’t detract much— the action is narrated internally as well as externally, so the effect of that manipulation is made obvious (and cool. It was super cool).
 
Please buy the book. Honestly, just... Here’s the link. Give it the ol’ click. 

J. S. Fields’ official site can be found here, and their twitter is here.

Note: I am an Amazon Associate and I am using affiliate links. These do not affect you or my reviews.
 
From Ninestar Press:
Ardulum (ebook) 
From Amazon.com:
Ardulum (print)     |    Ardulum (ebook) 

Genre: science fiction (unclassified)

Pairings: f/f

Queer Representation: cis lesbian

Warnings: racism

Rating: one star. possibly more, depending on what you're looking for

REVIEWED BY J.S. 

Review

Rison Ecks, prisoner aboard a transport spaceship headed for...a penal colony (I think), gets marooned on a planet. The droid she befriended on her voyage is kidnapped, and Rison risks death, out of body orgasms, and unattractive women in order to save the droid and...get off the planet? I think? I'm not sure what Rison's higher purpose is, honestly.

Normally I would break the review down into basic elements, like plot, characters, etc., but the lack of most of these elements in BANQUET make that difficult. Generally speaking, this book has all the campy elements of 1970s era pulp sci fi (+1 for slave girls, +1 for random lesbian sex scenes, -1 for white default, -1 for magical negro, +1 for not burying your gays) without the benefit of really any form of social commentary. The only person of color (barring purple and red skinned aliens) is simply referred to as 'the dark man' for the first few chapters until he and the 'ugly woman' are captured, leaving Rison alone on a planet filled with... strange lesbians and beings that like meat a lot (which is not a gay joke, and I feel like that was really a lost opportunity there).

For some reason not specified, possibly due to lack of character development, Rison chooses to save the captured droid she befriended on the prison barge, instead of the black guy or the ugly woman. Hence, she goes on a quest to find the thing, running into (not necessarily in this order): a mirage of her dead lover with whom she has sex, a random pregnant woman, a woman who gives her another woman to have sex with, but during the sex she leaves her body to talk with the first woman, the antagonist who really likes meat, and the love interest (I think) who is a really good cook.

Also there is a cooking contest? Did I mention that?

If it weren't for the problematic implicit bias, the lack of narrative structure, the typos, and the magical black man trope, I'd be tempted to file this book under the 'ridiculously campy' tab, and have it sit next to such favorites as (and really, these are some of my favorites) ETERNAL PLEASURE (they're men with the souls of dinosaurs and they need a hot limo driver, STAT!), DAUGHTER OF THE BLOOD (magical cock rings of obedience!), and everything by Chuck Tingle. Alas, the writing fell too flat for me to tell if the book was meant to be pulp satire or not, the tropes were problematic, and I never connected with the narrative.

Sadly, as much as I love space lesbians, and as eager as I was to get my hands on this book, I can't say that I enjoyed it. However, those looking to relive 1970s era pulp fiction, complete with its problematic attitudes but minus the homophobia, may be well served by this book.
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You can buy BANQUET here

Genre: science fiction – military / space opera (somewhere in-between)


Pairings: lesbian, pansexual


Queer Representation: cis lesbian, pansexuality, nonbinary (nonspecific variety)


Warnings: touch of gore, nothing too unusual though


Rating: 5 stars

REVIEWED BY J.S. FIELDS

Recent college graduates Adda and Iridian are wracked with debt and a deep desire for adventure. An engineering degree won’t pay the bills but piracy might–assuming they survive several killer AIs and a dilapidated station threatening to crumble at a moment’s notice.

Plot

Solid plot on this book, despite a somewhat rocky start. I was never really sold on Adda and Iridian’s reason for choosing piracy over a job (aside from the stock rationale of not wanting to be in crippling debt–like, I don’t want to be in debt either but piracy never really crossed my mind), but it does make for a good book starter. The commandeering of the first ship to get to Barbary Station, the home of the pirates, went on a bit long but once the couple was on the station proper, the book really found its pacing.

There was a constant tension from their arrival at the station through to the end, good plot twists, and enough real science to make the twists really land. In fact, the book would have been fine with a bit more science in it, especially on the microbial side with the biological weapons. Tell me more about the Pseudomonas-like bacteria!

I also really enjoyed the depth of the story. There are multiple ‘threats’ to the station at any given time, and actions of various political bodies and a group of refugees living amongst the pirates further muddies the waters. A lot of good interaction comes from the various factions of people living on the station. Some are the original crew of Barbary, some are the pirates, some the refugees, and still others parts of rescue and extraction crews. Each group of people has their own set of motivations, although all are working towards a common goal of getting off the station and away from the killer AIs. Adda and Iridian, of course, are the only two with skills to really get control (see, those engineering degrees are useful!), which pushes them into the center of almost every conflict.
 
Characters

Although we are given a huge array of characters (which did bother me at first), it does help to give names to the bodies when the AI really goes off the rails. Most of the secondary characters were very three-dimensional, and Adda and Iridian were compelling protagonists. We spent enough time with each of the secondary and tertiary characters that their deaths really helped drive the narrative. Even the AIs were compelling characters, and once we got into the meat of the story, my empathy for their sentience had me rooting for both ‘sides’.

Nonbinary Rep

I’m assuming this book was in my TBR pile because, hello, lesbian space pirates! I was surprised, therefore, to find that the pirate captain was nonbinary, and a well developed character at that! The attention the author paid to nonbinary genders in this book was excellent, and passages such as the one below had me squealing in joy.

​Boyfriend? Girlfriend? Nope, zefriend!

If ‘lesbians in space’ is your thing, this book is a must buy. Bonus, the next book in the series is up for preorder on Amazon (and yes, I’ve already preordered).
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You can buy BARBARY STATION in ebook here, paperback here, and hardback here. It’s available in audiobook from Audible.