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review: the 57 bus by dashka slater

30/10/2019

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TARGET AUDIENCE: Young Adult (but, really, everyone should read it)

QUEER CONTENT/IDENTITY? Non-Binary (agender) & Aromantic main character

GENRE: Contemporary Fiction. Based on true events.

​BLURB: 

One teenager in a skirt.
One teenager with a lighter.
One moment that changes both of their lives forever.

If it weren't for the 57 bus, Sasha and Richard never would have met. Both were high school students from Oakland, California, one of the most diverse cities in the country, but they inhabited different worlds. Sasha, a white teen, lived in the middle-class foothills and attended a small private school. Richard, a black teen, lived in the crime-plagued flatlands and attended a large public one. Each day, their paths overlapped for a mere eight minutes. But one afternoon on the bus ride home from school, a single reckless act left Sasha severely burned, and Richard charged with two hate crimes and facing life imprisonment. The case garnered international attention, thrusting both teenagers into the spotlight.

REVIEW:


Dashka Slater's "The 57 Bus" is a riveting and essential read that explores themes of race, class, gender identity, and justice through the lens of a real-life incident. The narrative revolves around two high school students from Oakland, California—Sasha and Richard—whose lives intersect for a mere eight minutes each day on the 57 bus. Sasha, a white teen from a middle-class neighbourhood, and Richard, a black teen from a crime-ridden area, exist in vastly different worlds. A single reckless act on the bus one afternoon results in Sasha being severely burned and Richard facing charges of two hate crimes, thrusting both teenagers into the spotlight.
Slater's journalistic approach to the story provides a masterful examination of the complex issues at play. She deftly debunks stereotypes, challenging the notion of the hate-crime monster and the African-American thug. Through meticulous detail and compassionate storytelling, Slater probes the fine line between adolescent stupidity and irredeemable depravity, making readers question their assumptions about justice and morality.

The book excels in its exploration of gender identity, adolescent crime, and penal racism. Slater's nuanced portrayal of both Sasha and Richard offers no easy answers but instead encourages readers to engage in deep contemplation. Her ability to present the perspectives of both teenagers with empathy and complexity ensures that the narrative remains balanced and thought-provoking. The detailed recounting of their lives and the circumstances that led to the tragic event on the bus highlights the systemic issues that contribute to such incidents.
​
One of the most compelling aspects of "The 57 Bus" is its impact on readers. The book is likely to spark conversations and debates about justice, forgiveness, and the societal factors that influence behavior. Slater's compassionate writing underscores that there is often more to the story than what appears on the surface. The exploration of class, race, and gender identity is handled with sensitivity, making it a powerful and enlightening read.

​ "The 57 Bus" by Dashka Slater is an outstanding work that delves into the complexities of contemporary issues with grace and insight. The book's thoughtful examination of the diversity of creed and the consequences of impulsive actions leaves a lasting impression. It challenges readers to redefine justice for themselves and fosters a greater understanding of tolerance and forgiveness. For anyone seeking a profound and thought-provoking read, "The 57 Bus" is an invaluable addition to their bookshelf.




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NEW RELEASE: ECHOES BY L.A. ASHTON

28/2/2019

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Title: Echoes
Author: L.A. Ashton
Publisher: NineStar Press
Release Date: February 25, 2019
Heat Level: 3 - Some Sex
Pairing: Male/Male
Length: 78500
Genre: Paranormal, LGBT, Vampires, werewolves, paranormal, romance, friends to lovers, immortal, reunion, Viking

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Synopsis


After one thousand years of listless eternity, Oskar is used to his particular brand of loneliness. But a long walk through Middle America and a few chance encounters will lead him straight to a man he’d known to be long since dead―his childhood best friend, Aranck.

Being undead hasn’t stopped Aran from living life to the fullest. He has all the money and power his charm and business savvy could earn him, and plenty of friends. Lately, though, something seems to be missing. After a millennium, perhaps the world’s shine has worn off—and that’s when Oskar stumbles back into his life, reminding him of who he used to be.

Together the two vampires remember what it felt like to live, all the while navigating a conflict with the local pack of werewolves. A lot has changed in a thousand years, and only time will tell if those changes will bring Oskar and Aranck closer together, or ensure they remain apart.
 




Join NineStar Press Authors Alex Harrow, L. A. Ashton, and Tash McAdam on FACEBOOK for a virtual launch party of their releases, EMPIRE OF LIGHT, ECHOES, and WE ARE THE CATALYST!

Find the party HERE. The event is February 25th from 8-10 PM CST, but feel free to drop by and stay as long as you wish!

For more info on each author and their books, visit:

EMPIRE OF LIGHT by Alex Harrow
ECHOES by L.A. Ashton
WE ARE THE CATALYST by Tash McAdam

Stop by for exclusive snippets, character takeovers, prizes, and swag!

Excerpt


Echoes
L.A. Ashton © 2019
All Rights Reserved

Prologue
Ana’s eyes opened, unseeing. Her limbs were heavy, anchored to the floor by her own weakness and fatigue. And yet, she was alive.

That confused her.

The rough punctures of a bite burned at her neck. Blood dripped slowly from the wound, traveling the few short inches from her throat to the hardwood. Everything else felt fine; no broken limbs, no gashes or extraneous injuries. Her head rang, a high trill in the dark―perhaps a minor concussion sustained while collapsing.

The room smelled like blood, wolves, and a bit of spilled beer. But shapes were still hazy black masses in dim red lighting, and even with her superior sight, she couldn’t discern foreground and background, solid artifacts and darkness.

She closed her eyes. What would be more useful to grasp first, memory or sight? She could recall vague things: the laughter of her brother beside her as he beat them at another hand of poker, the limited light of the room, and the shuffle of cards against skin. Then there was…

She tipped her head, pressing her cheek against the coolness of the floor.

A vampire. A vampire had charged into the bar―their bar―and attacked.

After all the work she and Jackson had done, after all the effort they’d put into pack and vampire relations…

She opened her eyes again. There was movement, slow and deliberate as if the person wasn’t entirely coherent. She could barely see her packmates around her. Four of them were strewn about the floor, unmoving. They were alive, though, and that confused her as well. Their heartbeats and breaths filtered into her range of hearing as her mind cleared, and she could see the steady rise and fall of her brother’s chest.

Why would a vampire attack them? No―why would a vampire attack them and leave them alive?

She attempted to track the motion. There was a figure moving above them, heavy boots clomping against the floor. She looked toward their face and they paused, gazing down at her with a face swathed in shadow.

Her focus was bleary. She wouldn’t have been able to make out their features even if they’d looked at her full-on, dead in the eyes. They were all outlines… short or close-cropped hair… average height…

They had no heartbeat.

Her lips parted. She wanted to ask them why. Here lay five of her pack, drained to the point of immobility but not death. They would heal fast, as werewolves do, and they would track this assailant, as werewolves do. And then, without trial, they would kill them.

What kind of fool are you?

But she didn’t ask; her mouth was too dry and her body too slow, and by the time her mind had formed a proper question, the vampire was walking toward the entrance. The door opened up―a single rectangle of blue-black cut into the red-black of the bar―and bright stars shone quietly, like everything in the world was at peace.

The vampire sent one last look at her pack. Then they closed the door―softly, as if to not disturb. Ana stared at the doorway in sedated wonder.

Eventually she closed her eyes. The rest of their pack would find them, or their hearts would slowly beat them back to health, and the hunt for a vampire would begin.

Purchase

NineStar Press | Amazon | Smashwords | Barnes & Noble | Kobo

Meet the Author

L.A. Ashton is an LGBT+ author writing LGBT+ fiction. They enjoy rock music, traveling, and anything else that adds color to their daydreams. They believe in the healing properties of art and of having a cat firmly stationed on one’s lap. Their official site can be found at www.LAAshton.com.

Website | Facebook | Twitter | Tumblr

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review: euphoria by jayne lockwood

30/8/2018

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IN A WORLD OUT OF TIME, LOVE IS AN ALIEN CONCEPT

It might take the arrival of an alien being to remind an isolated man what it means to be human.

With a stressful job, his boss breathing down his neck for profitable results, and an estranged wife and daughter, scientist Kurt Lomax doesn’t think life can get much harder. Until a nonbinary extraterrestrial with an otherworldly beauty, captivating elegance, and a wicked sense of humor inconveniently shows up at his apartment.

Vardam watched the destruction of their own world, and they don’t want to see the same thing happen on Earth. They are lonely, and feelings soon develop between them and the supposedly straight scientist—feelings Kurt reciprocates, much to his confusion.

The arrival of cheery interpreter Tom Soames—whose Goth appearance belies a gentle heart—is like a ray of sunshine in the somber lab. He acts as matchmaker for man and tentacled extraterrestrial, unwittingly instigating a national crisis when the news breaks out.

But will a misunderstanding ruin Kurt and Vardam’s chances for happiness together—along with the hope for peace between humanity and the Var?


Reviewed by Rebecca

GENRE:
Sci-Fi

MAIN PAIRING: M/Enby

RATING: 3.75 stars

REVIEW

Gosh this was a tricky one to try and rate! Books like this make me wish I'd foregone the concept of stars and ratings altogether here on ceLEStial books, because sometimes you can't really reduce your impressions of a story to a simple number. I went with a 'safe' rating at just under 4 stars, because to me, 4 stars means "I loved it!" and 3 means "This is pretty good." And Euphoria lies somewhere in between.

The classical sci-fi lover in me really appreciated several aspects of Lockwood's story. The concept of time travel to prevent a horrific future for humanity is a trope I've loved since I was a child and first watched the film Twelve Monkeys. I felt somewhat lost in the opening chapter set a hundred years ahead of the bulk of the novel's events, though I could follow enough of what was happening to be hooked into seeing how the time travelling alien's story would progress.

The chapters that followed did an excellent job of exploring the life of a man who has achieved much (but not all) of what he has set out to achieve but, as a result, lost many of the things he'd failed to realise were right in front of him. He's so obsessed with his work that he's lost touch with his family and, whether he intended it or not, become something of a recluse who struggles to connect with others. I personally thought some of these passages were the best in the entire book. The characterisation was at its strongest here! That said, I'm one of those few readers who prefers prose over action and inner-monologue over explosions.

The arrival of Vardam was expertly written. Lockwood's descriptions of Kurt's first impressions of this strange, tentacled (ie. truly alien) creature were believable and fascinating. Given Kurt is a man of science, his mixture of awe, curiosity, and even a degree of stoicism during some moments, seemed completely plausible. The communication issues between them added a culturally intriguing layer to these interactions that I quite enjoyed. It reminded me a little of when the main character in Octavia Butler's Dawn first meets her captors. And given how much I love that book, it's promising that such a comparison struck me as I read Euphoria.

Kurt is one of those characters who carries a lot of emotional baggage because of traumatic events in his past. It's a perfectly good plot device, but I must admit that after a very, very long string of books where the main characters personalities are heavily influenced by sad or traumatic events, I'm ready to read something different. That may well have held me back from 4 stars or higher, which isn't necessarily fair on this novel, but that's why stars/ratings are sometimes a fairly crude instrument in a review. I didn't entirely love his romance with Vardam, something about it felt forced, but I don't read very many books with male protagonists so, again, maybe I need to say: it's not you, Euphoria, it's me.

As the novel continued, I moved back and forth between being completely engrossed, somewhat disconnected, and a little perturbed. I know that MPREG is a popular trope, or perhaps you could even consider it a sort of sub-genre, I honestly don't know, but it's not something I was expecting when I started the book and I'm not entirely sure how I feel about it. I've heard some writers and readers discuss MPREG as a potentially offensive narrative device that fetishises minorities, whilst other articles I've read suggest it's quite a liberating concept that many readers, trans, enby, and cis alike, can engage with and enjoy. The science and reasoning behind this aspect of the novel felt fitting within the book's universe but I don't know enough about this kind of plot development to feel I can make a judgement of any kind. So I'll just point out that it happens, and let others who know what they're talking about delve into the merits of such developments.

The writing itself is pretty darn good. Some descriptions and conversations had me nodding at my Kindle, like, Yep -- nice writtin' there, Jayne. As a fan of sci-fi stories built upon the back of corrupt corporations and explorations of gender, Euphoria had lots to offer me, and I'm glad I read it.

As one final note, I have to say that I adore the cover! The tagline is also so perfect I want to cry with jealousy that I can't come up with something that cool for my own books.

​You can buy Euphoria here (publisher) and here (Amazon).
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    ABOUT C.B.

    CURRENTLY ON HIATUS FOR UNIVERSITY STUDY AND WORK. 

    Book reviews, Author Q&As and more as shared by an Australian lesbian. My core interests lie in genre fiction: Sci-Fi, Fantasy, Horror etc.
    ​
    My aim is to help provide more exposure to those books that  may not fit neatly into the usual "lesfic" boxes (EG: pansexual women who engage with different aspects of their sexuality, non-binary characters, books with very little romance etc.) or books that don't conform to the most popular tropes that tend to dominate the LGBTIQ+ publishing world.

    That said, I'll put up pretty much any review that I'd like to share. Most will have some sort of rainbow content, but not all. I am a reader who likes to talk about books -- that's really what this little corner of the web is for, to talk about books.

    ​Email: celestialbooks [AT] rebeccalangham.com.au


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