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AUTHOR INTERVIEW: JACKIE D

12/2/2019

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1.     There are some intriguing social and political themes at the heart of Rise of the Resistance. What is one key theme or idea you hope readers might think about as a result of reading this novel?

There were a few key themes. First, we are going through something in America right now that has been bubbling under the surface for much longer than anyone would like to admit. The trifecta of evil (as I like to call it): racism/xenophobia/homophobia/sexism, partisan media, and the destruction of the middle class. Biased media has been stoking the fire of hatred and distrust since Richard Nixon left office and an entity called Fox news was dreamed into existence. It has created a culture of fear and suspicion among our citizens. This book is a “what if” if Donald Trump (or someone like him) and his family were to gain control of the United States forever. If they were able to successfully remove the constitution and deploy their own tactics as a form of governance. I wanted people to see what could happen if we continue to ignore these threats as well as the ever-looming promise of climate catastrophe. Not one person is going to be able to fix this, it has to be all of us; or at least the majority of us, that take a stand. The United States is sick and only by dragging these issues into the light will we find a remedy. Another prominent theme was the age-old tale of good versus evil. I wanted to make the characters truly good or evil to demonstrate the acute contrast between the two choices. Was it a little over the top at some points? Sure. That was intentional. Kaelyn and Arrow are the purest forms of what is right and just in the world. Adon was the epitome of corruption, narcism, and abandonment of reality. This first instalment was meant to be laid out in a true black and white format. The subsequent instalments will delve more into the gray; where you find people like Sloan and Nora

2.      How did you choose the names for your characters in Rise of the Resistance? I'm curious, is Macleod's first name (Adon) a partial anagram of Donald? 

Well, Adon is a mash-up of Adolf and Donald. MacLeod was the maiden name of Donald Trump’s mother. Arrow and Valor were named after the fall of America (in the storyline) with the intention of invoking hope and direction when you thought of them. Kaelyn was merely a throwback to a time where things weren’t as perilous

3.     Given the subtitle of the book (Phoenix One), it feels like this is the beginning of the series. There were also a few characters along the way that felt like seeding or foreshadowing for further stories. Are there any plans for a continuation of the story?

Yes, there will be a sequel, at the very least. I will probably write a total of four. Two that take place after this one and then potentially a prequel. There are characters placed through the book that I will focus on later. Specifically Phoenix Two, Sloan, and Nora. I believe they all have some interesting perspectives that need to be explored. I’m looking forward to writing Sloan’s story (in the nest book). She has existed in Eden as an indentured servant of sorts, and an outsider in many ways. Her family remained loyal to the Resistance throughout her whole life, which cost them dearly. When I see the world through her eyes, I imagine it was plagued with a look of resentment and confusion. This probably wasn’t always laid at the feet of MacLeod; it would have had her questioning the Resistance as well. Unlike Arrow, who had it ingrained in her everyday duty that this was the only way to survive, Sloan saw a more comfortable path day-to-day life unfolding in front of her.

4.     And more importantly, will Nora be involved? She's intriguing! Can you tell that I like villains...

Nora, yes; I actually get the most questions about her, which I find fascinating. Readers really love to hate her, and weirdly, are pulling for her. With Nora, you can see a brilliant woman who is a product of her circumstances. She has been raised in a terribly sexist world and has had to keep her intellect in check to fulfil her ambitions. Although she was born into privilege, her capabilities were limited. The final instalment of the series will focus on her story, and her internal battle to not only survive but thrive. Nora will be able to reinvent herself, but some aspects of her will remain the same. She will never be “the good guy”, but instead, an antihero. Strangely, Nora might be the most relatable character in the story, and I really want to dig into her flaws as well as her attributes. In the real world, people aren’t one-hundred percent good or evil. The majority of us fall somewhere in between. I think Nora is an excellent vehicle to exemplify those characteristics.

5.     If you could plan a dinner party for a handful of characters across all of your books, who would you love to see engaging in conversation over canapes? 

I have written in several different genres at this point, so this is an interesting question. In my After Dark Series, there are military, FBI, Homeland Security, terrorists, and CIA personnel. Lands End is about a restaurateur and a PR Rep. In Lucy’s Chance there is a police officer, journalist, and serial killer. I’m working on a book with, Jean Copeland right now that is about a time-hopping witch. So, if I had to choose one from each, I believe it would go something like this: Tyler Monroe, Lucy Rodriguez, Amy Kline, Jennifer Glass, and Nora MacLeod. Tyler suffers from PTSD from her time in the Marine Corps and trying to find where she now fits in. She should be hardened and untrusting, but she has managed a level of empathy and understanding that I missing in most people. Lucy Rodriguez threw away her first love to pursue her career aspirations and has had to deal with the repercussions. She is smart, sassy, and a lot of fun to write. Jennifer Glass also appears in the After Dark series with Tyler. She struggles with insecurity and tinges of jealousy. Finally, Nora, because I think she would liven the whole thing up. Nora is a formidable force with very strong opinions on…well…everything.

6.     Star Trek or Star Wars?

Star Wars, no question. I’m a huge fan and am really enjoying the direction they’re taking the storyline. Although they both have the ability to keep reinventing themselves while holding true to their tried and tested themes; I find Star Wars to be much more entertaining. Plus, I’m genuinely enjoying Rey’s journey and find myself counting down until the next instalment.

7.     If you were trapped in a derelict building surrounded by nefarious, supernatural enemies, who would you want to save you, Buffy or Wynonna Earp?
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This was a hard one…but I’d have to say I’d go with Wynonna. She’s a bit of a wildcard, which just adds to her appeal. I also find Wynonna to be a bit more of a layered person, in contrast to Buffy. Now, don’t get me wrong, I think they’re both fantastic, badass women. But, if push came to shove, I’d much rather see Wynonna breaking through the window with Peacemaker, then Buffy.
***
You can buy Jackie D's scifi novel, Rise of the Resistance, here and connect with Jackie here.

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review: rise of the resistance by jackie d

25/1/2019

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REVIEWED BY REBECCA

GENRE: Dystopian (light on the scifi)

PAIRING: F/F

HEAT LEVEL: Explicit (one scene)

WARNINGS: Lots. Racism, homophobia, sexism, xenophobia, anti-refugee sentiments, murder, suggestions of rape etc. This is all presented all abhorrent, and most of it isn't detailed or explicit, but those confronting themes are there and some readers may wish to be aware of this going in.

REVIEW

Rise of the Resistance by Jackie D is, overall, a solid dystopian fiction that finds itself caught somewhere between being a thought-provoking and didactic political thriller, and a fairly typical lesbian romance with a generic futuristic backdrop. As a fan of the former who is somewhat tired of the latter, this was a difficult book for which to write a review.

Kaelyn Trapp, otherwise known as Phoenix One, is cryogenically frozen — one of a chosen four— sleeping away seventy years until the time is right to stage a coup and overthrow a morally bankrupt government. Arrow, Kaelyn’s guardian, a true believer in what this (potentially ignorant) Australian reader can only best describe as ‘the American Dream’, an idealistic woman of integrity, has worked her whole life to prepare for the war to come. What isn’t to love about this plot?

Exploring a future in which men like Donald Trump have not only been allowed to rule, but have been elevated to the cult-like status representative of many of history’s authoritarian dictatorships, this novel has plenty to offer. The ‘President’ and his heir, both MacLeod, make for fascinating reading. Jackie D explores how racist, homophobic, xenophobic leaders manage to seize, manipulate, and maintain power.

“First, he paid off a major media organisation. Its sole purpose was to discredit the others until people who were loyal to him only tuned in to that outlet…Next, he started to discredit our FBI…It didn’t matter how many of his statements were proven as lies, or how horrible his remarks about women and minorities…”

And I have no doubt that this novel has been inspired by a deep-rooted societal concern about Trump:

“Nora sat on the couch. She ran her hands down her form-fitting red dress. She was perfect. Hell, if she hadn’t been his own daughter, he probably would’ve tried to sleep with her by now.”

Nora, MacLeod’s daughter, is the character I found the most fascinating in this story. She’s deplorable in many ways, but also far more intelligent than her father, and the only member of the cast to do something that I found genuinely surprising. Nora is a political mastermind working within a patriarchal, sexist framework in which the inequalities of today have been exacerbated and even legalised. If Nora appears in the next book in some significant capacity, I’ll be reading it.

Kaelyn and Arrow are likeable, but also unremarkable. Kaelyn is said to be the absolute best person to restore democracy and freedom, but some aspects of her personality and supposed expertise struck me incongruent with this claim. She is good at giving speeches filled with a lot of platitudes and patriotism, but many of the finer aspects of leadership are left to the reader to assume. There were also some instances where her lack of knowledge (probably more for the reader’s benefit so that Arrow or her mother could then deliver an explanation) didn’t make sense to me. That said, I suspect she is meant to personify the traits of American culture that are most admirable, an ideological foundation of fairness and compassion. Which is just kinda nice, really.

Arrow is almost nauseatingly ‘good’, the proverbial knight-in-shining-armour, where even her faults are positive. I didn’t mind either of the two leading ladies, but I also didn’t feel particularly connected to the pair because they were presented as practically perfect. When someone in the novel pointed out the fact that these two were in their positions of power and influence because they’d been born to the ‘right’ families, I cheered a little. It had been frustrating me that two people, both born to presidents and living a fairly protected life, were apparently the only ones who could save America (and this is very much a book steeped in all things American). Arrow is a warrior who has a few action scenes that many readers will enjoy. I was pleased to see that Arrow didn’t resort to fatal gunshots as her first method of defence (or attack). 

The romance between Kaelyn and Arrow is, I imagine, what many readers will come to see. Given that the relationship frustrated me because it kept detracting from the dystopian elements I was enjoying so much as well as what I perceived as deep repetition of the “we shouldn’t go there because we have a duty to others” trope, lots of people will love it. But this is what I meant earlier when I said this book was, I thought, caught between wanting to be a standard romance ‘lesfic’, with the meet-desire-angst-denial-more angst-give in-deny again-HEA plot line many know and love, and a speculative fiction with a heck of a lot of meat on its bones. 

Readers like me will want less focus on the internal dialogue attached to the relationship and more exploration of the dystopian setting and its deep-rooted psychological conflicts. Romance-lovers will possibly want to see the reverse. You can see why this review got so long, right? I mean, I love parts of this book, but I also wanted to skip sections.

I have my fingers crossed that subsequent novels in the series will explore characters ‘on the ground’ so to speak, looking at History From Below. I think this will really draw out those complex social and political concepts that are there, but not quite developed. I’d be really interested to hear from anyone else who has read this one. What did you think?! 

PURCHASE from AMAZON, BOOK DEPOSITORY, or BOLD STROKE BOOKS.


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review: waking the dreamer by k. aten

7/12/2018

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PURCHASE LINK

REVIEWED BY REBECCA

Genre: SciFi
Pairing: F/F
Orientation: Lesbian
Sexual Content: (Fairly) Graphic
Content warnings: Abduction, Child Abuse/Psychological Torture, Scientific experimentation on humans, murder scenes
RATING: Four stars

BLURB:

By the end of the 21st century, the world had become a harsh place. After decades of natural and man-made catastrophes, nations fell, populations shifted, and seventy percent of the continents became uninhabitable without protective suits. Technological advancement strode forward faster than ever and it was the only thing that kept human society steady through it all. No one could have predicted the discovery of the Dream Walkers. They were people born with the ability to leave their bodies at will, unseen by the waking world. Having the potential to become ultimate spies meant the remaining government regimes wanted to study and control them. The North American government, under the leadership of General Rennet, demanded that all Dream Walkers join the military program. For any that refused to comply, they were hunted down and either brainwashed or killed.

The very first Dream Walker discovered was a five year old girl named Julia. And when the soldiers came for her at the age of twenty, she was already hidden away. A decade later found Julia living a new life under the government’s radar. As a secure tech courier in the capital city of Chicago, she does her job and the rest of her time avoids other people as much as she is able. The moment she agrees to help another fugitive Walker is when everything changes. Now the government wants them both and they’ll stop at nothing to get what they want.


REVIEW

I purchased this book as soon as I read that blurb. Dystopian future? Impact of climate change? Cool astral projecting dream walker types? Lesbians? Well, sign me up!

As someone who isn't especially enamoured with action scenes, my favourite part of this novel was the opening third. The descriptions of a plausible future were provocative, posing many of the classic questions that make sci-fi such a great genre, and answering those questions with a keen and discernible eye. I loved this line:

And humanity was left to harvest the fields we seeded with our own ignorance.

And then there's this:

The world was actually on the cusp of great change until one political leader tipped it all back into the dark-age. Figuratively, of course. It took just one powerful man to back out of climate initiatives, to roll back renewable energy programs, to eliminate the Environmental Protection Agency, and increase funding and subsidies to the fossil fuel industry. It was a far reaching ideological shift and the world paid for it. Being the “greatest country on Earth” meant that we led the other nations by example, poor though it was.

What's not to love? When the romance took over the book, I became a little less interested (just because it meant less attention was being paid to the futuristic world itself), but I know that's probably the part a lot of people will turn up for with this story -- I think this book is romance first and sci-fi second, despite the rich dystopian tones of the opening chapters. That's definitely not a bad thing, but I point this out because there are a handful of readers out there who prefer the situation in the reverse (a small handful, indeed, but I know we exist!).

Overall, the book is well-written and the relationships are developed quite nicely. There's a complex relationship between the individual and society, a theme I love to see explored in any book, but especially one like this with a flawed, (occasionally) morally reprehensible female lead who refuses to play by the rules set down by the Corporation. I mean, how great is this?...

He helped me find a new identity before agents came around to collect everyone with a serial number that had become more important than their name.

That one sentence says a lot, and reflects all of my favourite things in Waking the Dreamer. Power. Authority. Control. Censorship. Repression. Rebellion. Resilience. Great stuff, really! 

Now for the main thing that held me back from five stars (though, to be fair, four stars is the highest rating I've given for a while! It's pretty darn good). There are a few minor editing errors ('typos') but what book doesn't have those, right? I swear, you can read a manuscript fifty times and they still slip through, so that didn't really influence the rating very much. I may be in the minority here, but I didn't particularly enjoy the final chapter. I appreciate it was a twist, and many readers may find this sudden shift of the narrative arc to be exhilarating, shocking, and therefore fascinating, but for me, it detracted from the entire story and I wished I'd stopped reading at the end of the second-last chapter because that was a comfortable place to end. A place that didn't leave me confused enough to have to re-read passages and try to work out what had just happened. I love complexity in stories, and it may be the lack of sleep talking (thanks to my toddler who seems to have regressed to a screaming newborn recently), but I was more lost than anything.

Final chapter aside (and hey, you might LOVE the way it ends, my friends), t
his is an engaging book with much to say, though sometimes the love story overshadows the political and social guts of the tale. WAKING THE DREAMER is perfect for someone after balance between what might be considered traditional "lesfic", with the romantic and sexual elements, and the gritty, meaningful exploration of society that only comes with speculative fiction.
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    ABOUT C.B.

    CURRENTLY ON HIATUS FOR UNIVERSITY STUDY AND WORK. 

    Book reviews, Author Q&As and more as shared by an Australian lesbian. My core interests lie in genre fiction: Sci-Fi, Fantasy, Horror etc.
    ​
    My aim is to help provide more exposure to those books that  may not fit neatly into the usual "lesfic" boxes (EG: pansexual women who engage with different aspects of their sexuality, non-binary characters, books with very little romance etc.) or books that don't conform to the most popular tropes that tend to dominate the LGBTIQ+ publishing world.

    That said, I'll put up pretty much any review that I'd like to share. Most will have some sort of rainbow content, but not all. I am a reader who likes to talk about books -- that's really what this little corner of the web is for, to talk about books.

    ​Email: celestialbooks [AT] rebeccalangham.com.au


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